I Imagine Things Because I Picture Myself There: Imagino cosas... porque pienso que estoy ahí


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Those sea birds become vultures swarming overhead waiting to feast on my love. The thing about not wanting to look stupid is that it makes me look and act nuts. These days I am learning how to leave my fear on the shore when I push my small boat out to sea. The other day, I was doing some Marie Kondo cleaning and I found an old metal perfume box that I keep on a bookshelf in my home.

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Inside, I store all the old cards I get from folks who loved me, and I re-read some my partner has written to me. I was gushing over them on the floor of my living room, reading every line and thinking about how beautiful the words in front of me were. Thinking about how lucky I am to have made someone else feel this way and how lucky I am to feel the way I do about someone else.

Love is not just cute feelings. It is cute feelings and it is also the trust, and the communication, and the vulnerability that good shit. All that is love. He could be shining his shoes in the living room and I could find a reason to say something nuts about that if I really wanted to. Folks are sometimes forced to play detective, folks are gaslit, folks experience true toxicity.

Even in Gone Girl, the characters actually have reason to feel these gigantic, violent emotions at times! I feel so lucky that I am in a space where my partner and I talk openly about most things. We know each other and we support each other well. My partner is funny and kind, and he really tries.

He considers my thoughts and feelings. He is funny as shit and cute. He is smart and he pushes himself to be his best. I try to do the same in turn. We are both flawed. Las relaciones son experimentadas por muchxs, y hay muchas opiniones sobre las mismas. Esta es la parte donde te hablo sobre Gone Girl.


  1. Pensando…/Thinking….
  2. 2am, Blue Depths.
  3. Pensando…/Thinking….
  4. THE TRAVEL EDIT.
  5. La trama es jodidamente loca. Si no la has visto, te sugiero que canceles tus planes para el fin de semana y la alquiles. But I also discovered that something clicks in my head in my when the things around me are well organized. Unfortunately, this characteristic has a bad press in the art field since the image of the artist is associated with the famous idea of creative chaos and sometimes while in my working place with everything tidy around me, I feel like an impostor.

    Pero siento que es el precio que hay que pagar para poder cumplir con los objetivos propios. What I discovered in the order When one works alone it is important to pay attention to all the details and having the work ready in time and form is not a minor one. It took me many years to get organized in all aspects of my practice and I think there are still many things that I could improve. I agree with the idea that order distances us from creativity because it impels that once established a certain way of doing things we tend to repeat them in that way always leaving no room for the variety and chaos that involves seeking new solutions and try different alternatives, that implies risking to make mistakes but also to discover something interesting.

    But I feel that it is the price that must be paid in order to accomplish one's own objectives. La belleza del desorden El caos es el comienzo de todo y el origen del universo. En el caos existen todas las posibilidades. El caos favorece los descubrimientos fortuitos.

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    Pero para que del caos surjan los frutos siempre es preciso establecer un cierto orden. Yo creo en el orden, pero en el que resulta de las elecciones propias, no en el orden impuesto por otros. Por eso considero que si uno desea crear obra, establecer un orden propio es una forma de dar el primer paso para empezar a recorrer un largo camino. The beauty of disorder Chaos is the beginning of everything and the origin of the universe. Chaos challenges our imagination and intelligence by testing our ability to understand. In the chaos, there are all possibilities. Chaos favours fortuitous discoveries.

    But for the chaos to turn into something intelligible we need to establish a certain order. The British painter Francis Bacon is the great referent of the genial and chaotic artist, a myth supported by the images of his workshop at 7 Reece Mews street strewn with piles of trash composed of rags, papers, brushes and old oil tubes that grew along with his art. What interests me especially in this anecdote is the fact that in his atelier the chaos was apparent and was only in the eye of the observer because for Bacon there was an order, his own order, as he knew exactly where everything was.

    I believe in order, but in the one that results from our own choices and will of being organized. That is why I consider that if you want to build a body of work, establishing your own order is a way to take the first step to start a long journey. That said I invite you to read the interview with Victoria, almost a week after its publication For almost ten years, my drawings have been almost exclusively about plants and flowers.

    Sometimes I feel that there are many explanations for this my family inheritance of a trade, having lived my childhood in a house with a garden, the taste for perfumes, etc. And this was my favorite answer until very recently, when I heard brazilian chef Alex Atala explain what the flower represents to him:. Una planta tiene un ciclo. Una semilla se transforma en planta que da flores y se transforman en frutos. Hay otra semilla y la semilla crece otra vez.

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    Y yo digo: ya veo, ahora entiendo. One night I had a dream, I was walking in the street like a kid who has the hands of the father and mather. And I was asking to this bigger person what was the meaning of life. And he showed me circles, circles of life.

    I Imagine Things Because I Picture Myself There : Imagino Cosas... Porque Pienso Que Estoy Ahi

    And then he showed me a flower. A plant has a circle. A seed becomes a plant that has a flower, transforms into a fruit. The fruit drops. There's another seed, and the seed grows again. This is a circle.

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    And I said: I see, I understand. But why did you showed me the flower? And he said: "The flower is the moment that we live, the most beautiful moment of the circle. The most beautiful moment. Contemplate this. Sus naturalezas muertas con frutas y flores son de una belleza exquisita y de una gran delicadeza y riqueza de color. As a way of exercising my hand and keeping it in line ;- I decided to do an exercise and draw with graphite flowers taken from the works of Giovanna Garzoni, an Italian painter from the Baroque period, who developed her work with great mastery in an era where the arts were men's things.

    Her still life paintings with fruits and flowers are display an exquisite beauty and great delicacy and richness of colour. My exercise consisted in choosing flowers from her works and representing them in groups or isolated but always surrounded by a white space as a replacement for the descriptive backgrounds. I heard the story told by Alex Atala after having made the first drawings of the series and nevertheless it arrived at the exact moment when I could not find the words to give a context to these new series.

    The detailed work of the flowers that I chose to reinterpret symbolizes the complex of life paths with its twists and turns and the white space around it is what we can not see but may exist, what sustains and envelops us, that something bigger and powerful of which we are part of. When Kenia Mihura invited me to participate in her new project I was not sure what kind of works would fit. She chose three drawings from the series Giovanna's flowers that today, along with the work of other artists, are part of the catalog of Pulso a space dedicated to the sale of drawings and paintings on paper in small and medium format which she defines as follows:.

    La hoja suele ser menos intimidante que una gran tela. Drawing has always been present in our lives spontaneously, I believe that all artists discovered their vocation improvising gestures on a blank sheet. Despite the specialization in other techniques, drawing always appears in some way or another as exercise, sketch or study of forms.

    Paper is usually less intimidating than a large canvas. That freedom of expression I find in the works on paper caught me since I started working on the management of art projects more than fifteen years ago. I want to present those works that usually have little exhibition in commercial spaces and get them to inhabit new spaces for more people to enjoy them. Y todos estos proyectos de activismo y bordado que estoy investigando son comunitarios.

    A winter morning like this one I enjoyed the fresh air of the plant-strewn patio of Nilda Rosemberg 's house. As she told me yesterday as we greeted each other happily at the opening of the exhibition The Collectors in which she participates with several works, "sometimes it is good to let time pass". Parts of that talk were recorded and I decided to transcribe them so that I could continue to reflect on what it means to work with the hands.

    So here go Nilda's words:. I am researching the subject of the intersection between art and politics in relation to the textile. I found an article linking from the hucksters of Violeta Parra and Bordamos por la Paz to people in Chile who are working with Algerian refugees and embroidery always appears as a silent element that recycles an energy and is healing. It is also community. And all these activism and embroidery projects that I'm investigating are community-based.

    Because for this situation of activism to take place there has to be a group of people that builds a memory and that, in that time and in those situations of insisting from the small, generate something that is later sustained in time.

    I Imagine Things Because I Picture Myself There: Imagino cosas... porque pienso que estoy ahí I Imagine Things Because I Picture Myself There: Imagino cosas... porque pienso que estoy ahí
    I Imagine Things Because I Picture Myself There: Imagino cosas... porque pienso que estoy ahí I Imagine Things Because I Picture Myself There: Imagino cosas... porque pienso que estoy ahí
    I Imagine Things Because I Picture Myself There: Imagino cosas... porque pienso que estoy ahí I Imagine Things Because I Picture Myself There: Imagino cosas... porque pienso que estoy ahí
    I Imagine Things Because I Picture Myself There: Imagino cosas... porque pienso que estoy ahí I Imagine Things Because I Picture Myself There: Imagino cosas... porque pienso que estoy ahí
    I Imagine Things Because I Picture Myself There: Imagino cosas... porque pienso que estoy ahí I Imagine Things Because I Picture Myself There: Imagino cosas... porque pienso que estoy ahí
    I Imagine Things Because I Picture Myself There: Imagino cosas... porque pienso que estoy ahí I Imagine Things Because I Picture Myself There: Imagino cosas... porque pienso que estoy ahí
    I Imagine Things Because I Picture Myself There: Imagino cosas... porque pienso que estoy ahí I Imagine Things Because I Picture Myself There: Imagino cosas... porque pienso que estoy ahí

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